<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>erik friedlander</title><generator>Tumblr (3.0; @erikfriedlander)</generator><link>http://erikfriedlander.tumblr.com/</link><item><title>Erik Friedlander Performs John Zorn's Volac</title><description>&lt;p&gt;Erik Friedlander Performs John Zorn&amp;#8217;s Volac&lt;br/&gt;
Philadlephia, PA&lt;br/&gt;
Ars Nova Workshop&lt;/p&gt;

&lt;p&gt;Shivtei Yeshuron-Ezras Israel&lt;/p&gt;

&lt;p&gt;2015&amp;#160;S. 4th Street&lt;/p&gt;

&lt;p&gt;Philadelphia , PA &lt;/p&gt;

&lt;p&gt;Map&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;Price: $25 Advance / $30 DOS&lt;/p&gt;

&lt;p&gt;Purchase Tickets&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;Ars Nova Workshop is pleased to host a three-part concert series&lt;br/&gt;
featuring the work of composer John Zorn inside a 19th century South&lt;br/&gt;
Philly synagogue.&lt;/p&gt;



&lt;p&gt; Wednesday, June 12, 2013&lt;br/&gt;
 8:00pm - 9:30pm&amp;#187;&amp;gt;&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/52643476095</link><guid>http://erikfriedlander.tumblr.com/post/52643476095</guid><pubDate>Mon, 10 Jun 2013 14:54:33 -0400</pubDate></item><item><title>Erik Friedlander - New Film Music</title><description>&lt;p&gt;I&amp;#8217;ve posted music from a few of the films I did last year. I&amp;#8217;m also&lt;br/&gt;
working on a website redesign - more on that soon.&lt;/p&gt;

&lt;p&gt;You can check the music at SoundCloud:&lt;/p&gt;

&lt;p&gt;*Future Weather:*&lt;br/&gt;
A film by Jenny Deller.&lt;br/&gt;
A coming of age story with an environmental twist.&lt;/p&gt;



&lt;p&gt;5M2 - Tree Planting:&lt;br/&gt;
&lt;a href="http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIDQgZBQ8YBAhS" target="_blank"&gt;http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIDQgZBQ8YBAhS&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;6M1 - Life Starts Making Sense:&lt;br/&gt;
&lt;a href="http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIDQsZBQ8YBAhS" target="_blank"&gt;http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIDQsZBQ8YBAhS&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;*Spade:*&lt;br/&gt;
Short film by Mandi Riggi&lt;br/&gt;&lt;br/&gt;
starring Jorge Garcia. &lt;br/&gt;
A dark confrontation in an interrogation room between a detective and&lt;br/&gt;
killer becomes a mind game.&lt;/p&gt;



&lt;p&gt;Main Titles -End Titles&lt;br/&gt;
&lt;a href="http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIDQkZBQ8YBAhS" target="_blank"&gt;http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIDQkZBQ8YBAhS&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;To keep in touch with me you can also try:&lt;/p&gt;

&lt;p&gt; Twitter &lt;/p&gt;

&lt;p&gt; Facebook&lt;br/&gt;&lt;/p&gt;

&lt;p&gt; Google+ &amp;#187;&amp;#187;&amp;#187;&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/51883061348</link><guid>http://erikfriedlander.tumblr.com/post/51883061348</guid><pubDate>Sat, 01 Jun 2013 10:25:45 -0400</pubDate></item><item><title>Audio</title><description>&lt;iframe src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F4401747&amp;liking=false&amp;sharing=false&amp;origin=tumblr" frameborder="0" allowtransparency="true" class="soundcloud_audio_player" width="500" height="400"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://erikfriedlander.tumblr.com/post/48320053599</link><guid>http://erikfriedlander.tumblr.com/post/48320053599</guid><pubDate>Thu, 18 Apr 2013 20:59:59 -0400</pubDate></item><item><title>Lucia Pulido - Tonight at 730p at Symphony Space</title><description>&lt;a href="http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIDAgZBQ0YBAhS"&gt;Lucia Pulido - Tonight at 730p at Symphony Space&lt;/a&gt;: &lt;p&gt;Hi Everyone,&lt;/p&gt;

&lt;p&gt;I am pleased to let you know that I’ll be performing with LUCIA PULIDO&lt;br/&gt;
at Symphony Space. The concert is tonight, Feb 9 at 730P. Stop over if&lt;br/&gt;
you can make it.&lt;/p&gt;

&lt;p&gt;Leonard Nimoy Thalia,&lt;/p&gt;

&lt;p&gt;2537 Broadway at 95th Street,&lt;/p&gt;

&lt;p&gt;New York, NY 10025-6990 &lt;/p&gt;

&lt;p&gt;More info:&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/42672985195</link><guid>http://erikfriedlander.tumblr.com/post/42672985195</guid><pubDate>Sat, 09 Feb 2013 11:48:12 -0500</pubDate></item><item><title>
NO COMPASS - SOLTER RESETS FRIEDLANDER
I am pleased to announce...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_34576099740" src="http://erikfriedlander.tumblr.com/post/34576099740/audio_player_iframe/erikfriedlander/tumblr_mco27zpWtS1qbc9qs?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Ferikfriedlander%2F34576099740%2Ftumblr_mco27zpWtS1qbc9qs" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="85"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;img alt="No Compass CD cover" height="400" src="http://www.skipstonerecords.com/images/no_compass_front.jpg" width="400"/&gt;&lt;/p&gt;
&lt;p&gt;NO COMPASS - SOLTER RESETS FRIEDLANDER&lt;/p&gt;
&lt;p&gt;I am pleased to announce a new remix EP. I handed Scott Solter 5 tracks from Broken Arm and he came back with a complete rethinking of the music. I will be offering a 10” vinyl release of but meanwhile, you can grab the &lt;a href="http://erikfriedlander.bandcamp.com/album/no-compass-solter-resets-friedlander" target="_blank"&gt;cd &lt;/a&gt;or &lt;a href="http://erikfriedlander.bandcamp.com/album/no-compass-solter-resets-friedlander" target="_blank"&gt;download the music&lt;/a&gt;.&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/34576099740</link><guid>http://erikfriedlander.tumblr.com/post/34576099740</guid><pubDate>Mon, 29 Oct 2012 14:04:47 -0400</pubDate><category>no compass</category><category>solter</category><category>friedlander</category><category>remix</category><category>ep</category></item><item><title>Erik Friedlander - October News!</title><description>&lt;p&gt;**October 18, 630p - The Jewish Museum**&lt;/p&gt;

&lt;p&gt;**I will be premiering new music inspired by the &amp;#8220;Crossing Borders&amp;#8221;&lt;br/&gt;
show at The Jewish Museum. The program will be heard in at TJM&lt;br/&gt;
galleries at 630p on October 18th. The concert is free with admission&lt;br/&gt;
to the museum. For more information check out the TJM website&lt;br/&gt;&lt;br/&gt;
**&lt;/p&gt;

&lt;p&gt;Read the NYTimes review&lt;br/&gt;&lt;br/&gt;
of the &amp;#8220;Crossing Borders&amp;#8221; Show&lt;/p&gt;

&lt;p&gt;The Jewish Museum is located at 1109&amp;#160;5th Ave at 92nd St,&lt;/p&gt;

&lt;p&gt;New York NY 10128 (MAP&lt;br/&gt;&lt;br/&gt;
).&lt;/p&gt;

&lt;p&gt;General information:212.423.3200&amp;#160;&lt;/p&gt;

&lt;p&gt;**October 16 - New Release - &amp;#8220;No Compass: Solter Resets Friedlander&amp;#8221;**&lt;/p&gt;



&lt;p&gt;**&lt;/p&gt;

&lt;p&gt;Producer/engineer Scott Solter&lt;br/&gt;&lt;br/&gt;
brings you No Compass: Solter Resets Friedlander, an EP of five tracks&lt;br/&gt;
from Erik Friedlander&amp;#8217;s 2008 &amp;#8220;Broken Arm Trio&amp;#8221; CD completely&lt;br/&gt;
reinvented by Solter. In his hands the acoustic cello, bass and drums&lt;br/&gt;
trio tracks have become vertigo-inducing panoramas&amp;#187;&amp;#187;&amp;gt;&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/32880460837</link><guid>http://erikfriedlander.tumblr.com/post/32880460837</guid><pubDate>Thu, 04 Oct 2012 13:46:07 -0400</pubDate></item><item><title>Concert Announcement - September 11 at The Iridium</title><description>&lt;p&gt;**September 11, 8p &amp;amp; 10p at The Iridium**&lt;/p&gt;

&lt;p&gt;**&amp;#8221;Resonations&amp;#8221;**&lt;/p&gt;

&lt;p&gt;**On September 11 I&amp;#8217;ll be performing with a fantastic group of&lt;br/&gt;
musicians and what should be a beaufitul concert&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/31271117880</link><guid>http://erikfriedlander.tumblr.com/post/31271117880</guid><pubDate>Mon, 10 Sep 2012 10:42:41 -0400</pubDate></item><item><title>Hi Everyone,

I scored my first feature film last year....</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m3luraN7wb1qbc9qso1_500.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://24.media.tumblr.com/tumblr_m3luraN7wb1qbc9qso2_100.png"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;Hi Everyone,&lt;/p&gt;

&lt;p&gt;I scored my first feature film last year. It’s called /*Future&lt;br/&gt;
Weather*/ and the film had its premier at the Tribeca Film Festival&lt;br/&gt;
just recently. Good things are happening for the film which stars Amy&lt;br/&gt;
Madigan, Lili Taylor, William Sadler, Marin Ireland and features&lt;br/&gt;
newcomer Perla Haney-Jardine (“pure grace..” - Variety&lt;br/&gt;&lt;br/&gt;
) &lt;/p&gt;

&lt;p&gt;But in order to get more good things going this Indie film needs help.&lt;br/&gt;
So, I’m asking you to stop by the Future Weather Kickstarter&lt;br/&gt;&lt;br/&gt;
site and check out the info. If you like what you see, donate.&lt;/p&gt;

&lt;p&gt;Kickstarter campaigns offer a variety of enticements including DVDs,&lt;br/&gt;
posters, and a soundtrack recording (!). Here’s a gift just for&lt;br/&gt;
reading this far: check out this extended version from the Future&lt;br/&gt;
Weather soundtrack. In this scene Amy Madigan’s character Greta storms&lt;br/&gt;
out of the house after some whithering teen behavior from her grand&lt;br/&gt;
daughter. The track features Doug Wamble, guitar; Michael Sarin, drums&lt;br/&gt;
and Shanir Blumenkrantz, bass. &lt;/p&gt;

&lt;p&gt;STREAM/DOWNLOAD “Greta”&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;Thanks!&lt;/p&gt;

&lt;p&gt;Erik Friedlander&lt;/p&gt;

&lt;p&gt;links:&lt;/p&gt;

&lt;p&gt;*kickstarter campaign:&lt;br/&gt;
*http://erikf.hosted.phplist.com/lists/lt.php?id=N0gLB0VUBERSCgc%3D&lt;/p&gt;

&lt;p&gt;*future weather website:&lt;br/&gt;&lt;br/&gt;
*http://erikf.hosted.phplist.com/lists/lt.php?id=N0gLDUVUBERSCgc%3D&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;*VARIETY review*:&lt;br/&gt;
&lt;a href="http://erikf.hosted.phplist.com/lists/lt.php?id=N0gLBkVUBERSCgc%3D" target="_blank"&gt;http://erikf.hosted.phplist.com/lists/lt.php?id=N0gLBkVUBERSCgc%3D&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;*Tribeca Premiere photos:&lt;br/&gt;
*http://erikf.hosted.phplist.com/lists/lt.php?id=N0gLA0VUBERSCgc%3D»»&gt;&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/22515783193</link><guid>http://erikfriedlander.tumblr.com/post/22515783193</guid><pubDate>Sun, 06 May 2012 10:25:58 -0400</pubDate></item><item><title>Garry Winogrand, in a Bill Moyers feature, talks about...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/YQhZcKzbM9s?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Garry Winogrand, in a Bill Moyers feature, talks about photography. I find this inspirational.&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/21378622601</link><guid>http://erikfriedlander.tumblr.com/post/21378622601</guid><pubDate>Thu, 19 Apr 2012 09:05:01 -0400</pubDate><category>garry windogrand</category><category>photography</category></item><item><title>Occupy Wall Street Anniversary - Michael Greenberg</title><description>&lt;p&gt;&lt;span&gt;On this the 6-month anniversary of Occupy Wall Street, it&amp;#8217;s a good time to check out Michael Greenberg&amp;#8217;s 4 articles in The New York Review of Books.  I was too &lt;em&gt;occupied&lt;/em&gt; myself with my wife&amp;#8217;s illness when it was all going on. As close as I am, living downtown as we do, it still felt like a distant background noise. Reading these thoughtful reports brings it to life again for me. Try them: Immerse yourself!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&amp;#8221; &lt;span&gt;The Occupy Wall Street movement that began in Zuccotti Park in New York’s financial district on September 17 has grown to a degree that seems to have stunned even its organizers and most ardent supporters. From the first days, most news outlets, if they deigned to cover the movement at all, ridiculed the protesters for lacking a specific political agenda or concrete demands. They were “leaderless,” “directionless.” But less in this case has proven to be more: Occupy Wall Street’s vague, open-ended character has been crucial to its success. The catchphrase “We are the 99 percent” has a galvanizing succinctness, speaking directly to a wealth gap that has widened over the past decade to a point not seen since the Great Depression.&lt;/span&gt;&lt;span&gt;&amp;#8221;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span&gt;&lt;br/&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;first article: &lt;br/&gt;&lt;/strong&gt;&lt;a href="http://www.nybooks.com/articles/archives/2011/nov/10/zuccotti-park/" target="_blank"&gt;&lt;a href="http://www.nybooks.com/articles/archives/2011/nov/10/zuccotti-park/" target="_blank"&gt;http://www.nybooks.com/articles/archives/2011/nov/10/zuccotti-park/&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;


&lt;div&gt;&lt;strong&gt;second article:&lt;/strong&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://www.nybooks.com/articles/archives/2011/dec/08/zuccotti-park-what-future/" target="_blank"&gt;&lt;a href="http://www.nybooks.com/articles/archives/2011/dec/08/zuccotti-park-what-future/" target="_blank"&gt;http://www.nybooks.com/articles/archives/2011/dec/08/zuccotti-park-what-future/&lt;/a&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;strong&gt;third article:&lt;/strong&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://www.nybooks.com/blogs/nyrblog/2011/nov/18/crackdown-zuccotti-occupy-wall-street/" target="_blank"&gt;&lt;a href="http://www.nybooks.com/blogs/nyrblog/2011/nov/18/crackdown-zuccotti-occupy-wall-street/" target="_blank"&gt;http://www.nybooks.com/blogs/nyrblog/2011/nov/18/crackdown-zuccotti-occupy-wall-street/&lt;/a&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;strong&gt;fourth article:&lt;/strong&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://www.nybooks.com/articles/archives/2012/feb/09/what-future-occupy-wall-street/" target="_blank"&gt;&lt;a href="http://www.nybooks.com/articles/archives/2012/feb/09/what-future-occupy-wall-street/" target="_blank"&gt;http://www.nybooks.com/articles/archives/2012/feb/09/what-future-occupy-wall-street/&lt;/a&gt;&lt;/a&gt;&lt;/div&gt;</description><link>http://erikfriedlander.tumblr.com/post/19518297059</link><guid>http://erikfriedlander.tumblr.com/post/19518297059</guid><pubDate>Sun, 18 Mar 2012 12:44:00 -0400</pubDate><category>OWS</category><category>Occupy Wall Street</category><category>Michael Greenberg</category><category>TNYRB</category></item><item><title>Armory show. My take-aways: William Leavitt, James Ensor, Amy...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_m0me5nBGdO1qbc9qso1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Armory show. My take-aways: William Leavitt, James Ensor, Amy Cutler (I wasn’t able to find a link for the Cutler that’s at the show - worth a look)&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/19000757538</link><guid>http://erikfriedlander.tumblr.com/post/19000757538</guid><pubDate>Fri, 09 Mar 2012 08:44:10 -0500</pubDate></item><item><title>Latest “American Power” Video - Movement #4</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/je7HoyL8Gc8?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Latest “American Power” Video - Movement #4&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/19000467868</link><guid>http://erikfriedlander.tumblr.com/post/19000467868</guid><pubDate>Fri, 09 Mar 2012 08:30:43 -0500</pubDate></item><item><title>MetroCard Magic</title><description>&lt;div&gt;
&lt;p&gt;I was getting off the subway the other morning at 33rd street when I saw a woman in her late twenties approach. Armed with her white, single-ride MetroCard, she eyed the train that was still waiting in the station. She had the time, but did she have &amp;#8220;it&amp;#8221; &amp;#8212; that MetroCard magic? Her quick swipe was greeted with a thud. &amp;#8220;Oh no,&amp;#8221; she said, wilting, her face crinkling with stress. She tried again, swiping slower, then faster. People behind were already turning up the heat. She didn&amp;#8217;t have &amp;#8220;it&amp;#8221; &amp;#8212; was it self-confidence, luck, or skill? Whatever it might be, it was sorely lacking, and now she was just flailing away, like a gambler stuffing her last quarters into a slot machine hoping for a reprieve.&lt;/p&gt;
&lt;p&gt;&lt;span&gt;I felt for her. I&amp;#8217;ve been wondering too if I&amp;#8217;ve lost my &lt;/span&gt;&lt;em&gt;mojo&lt;/em&gt;&lt;span&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;In late November, two days after my wife died, I fell off a bicycle, completely tearing the ulnar collateral ligament in my left thumb. It was the end of a tough year, and it was only fitting that I was going to see the end of this year out with a cast on my left arm.  I got myself to a good surgeon* who, two weeks later, operated and reattached the ligament. I was set up for recovery, 2012 was coming, but I still felt like I had a target on my back. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Now that the cast is off and I have regained some of the lost strength and flexibility in my thumb, I&amp;#8217;m starting to feel a bit more confident. But unlike a thumb injury, the road map for recovery from grief seems less clear. It’s not a straight line kinda thing. Hope Edelman, in &lt;/span&gt;&lt;em&gt;Motherless Daughters&lt;/em&gt;&lt;span&gt; writes, “Mourning works like any series of cycles: One ends and a new one begins, slightly different from its predecessor, but with the same fundamental course.” I get that. Rather than proceed through the five stages of grief (denial, anger, bargaining, depression, and acceptance, &lt;/span&gt;&lt;span&gt;Kubler-Ross&lt;/span&gt;&lt;span&gt;) in an organized march, it feels more like a bee visiting flowers, it’s more improvisational (I can relate to that!): land over here on &lt;/span&gt;&lt;span&gt;&lt;em&gt;denial&lt;/em&gt;, &lt;/span&gt;&lt;span&gt; now a visit to &lt;/span&gt;&lt;span&gt;&lt;em&gt;depression&lt;/em&gt;, &lt;/span&gt;&lt;span&gt;back to &lt;/span&gt;&lt;span&gt;&lt;em&gt;denial&lt;/em&gt;, &lt;/span&gt;&lt;span&gt;a little taste of &lt;/span&gt;&lt;span&gt;&lt;em&gt;anger&lt;/em&gt;. &lt;/span&gt;&lt;span&gt;There may be no real end, no resolution..I’m OK with that.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;But what about regaining my touch with the MetroCard? This is important! I never done it, but I compare the &lt;/span&gt;&lt;em&gt;Metrocard swipe&lt;/em&gt;&lt;span&gt; to walking on hot coals &amp;#8212; it’s all about the attitude, the confidence with which you approach. Now, before I swipe, I visualize the happy, green “GO” circle, and it seems to be working. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;At Canal Street two tourists were having trouble swiping. People were gathering, a train was approaching. A short, neatly dressed man counseled them through gate, “What message are you getting? Too slow, try it faster.” Nothing seemed to work. I was about to offer my own ideas when the gentleman motioned them to follow him. He led the two women to the emergency exit door where he calmly pushed it open, allowing them to walk through&amp;#8230;that works too!&lt;/span&gt;&lt;/p&gt;
&lt;strong&gt;&lt;strong&gt;&lt;span&gt;&lt;/span&gt;&lt;br/&gt;&lt;span&gt;&lt;/span&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p&gt;&lt;span&gt;*Dr. Steven Beldner, Hand Surgery Center&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;</description><link>http://erikfriedlander.tumblr.com/post/16978771245</link><guid>http://erikfriedlander.tumblr.com/post/16978771245</guid><pubDate>Fri, 03 Feb 2012 11:37:00 -0500</pubDate><category>cello</category><category>bereavement</category><category>metrocard</category><category>mojo</category><category>hot coals</category><category>erik friedlander</category></item><item><title>New LP from Erik Friedlander with Deluxe Poster</title><description>&lt;p&gt;Hi Everyone,&lt;/p&gt;

&lt;p&gt;Photographer Mitch Epstein and I have collaborated on a new limited&lt;br/&gt;
edition LP entitled, American Power. The 500 hand-numbered albums are&lt;br/&gt;
signed by both of us, and feature 6 new solo cello compositions,&lt;br/&gt;
gate-fold artwork by Mitch Epstein, as well as a two-sided, 24x36 inch&lt;br/&gt;
poster of Epstein&amp;#8217;s photographs and my handwritten score. Purchase of&lt;br/&gt;
the 180-gram, audiophile LP is accompanied by a free digital download&lt;br/&gt;
of the music. You can get your copy here&lt;br/&gt;&lt;br/&gt;
(&lt;a href="http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIBUVRSA5cBQ%3D%3D" target="_blank"&gt;http://erikf.hosted.phplist.com/lists/lt.php?id=N0gIBUVRSA5cBQ%3D%3D&lt;/a&gt;&lt;br/&gt;
)&lt;/p&gt;

&lt;p&gt;Here is some background of the project:&lt;/p&gt;

&lt;p&gt;In 2011, Mitch Epstein was awarded the Prix Pictet Photography Prize,&lt;br/&gt;
and was asked to create a presentation to celebrate the award in&lt;br/&gt;
Arles, France, in early July. In a Roman amphitheater in the center of&lt;br/&gt;
Arles, Friedlander and Epstein collaborated on a presentation of&lt;br/&gt;
music, narration, and photography. The success of the evening led to&lt;br/&gt;
the creation of this beautiful LP, a special chronicle of their&lt;br/&gt;
performance in Arles.&lt;/p&gt;

&lt;p&gt;Mitch Epstein began work on American Power in 2003. The project was a&lt;br/&gt;
five-year long, twenty-five state investigation of energy production&lt;br/&gt;
and consumption in the United States, and how they had become manifest&lt;br/&gt;
in the country&amp;#8217;s landscape and culture. The book was published in 2009&lt;br/&gt;
(Steidl).&lt;/p&gt;

&lt;p&gt;The American Power LP&lt;/p&gt;

&lt;p&gt;Suggested Retail: $45.00 USD&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.americanpowermusic.com" target="_blank"&gt;www.americanpowermusic.com&lt;/a&gt;&lt;br/&gt;&amp;#187;&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/16429685806</link><guid>http://erikfriedlander.tumblr.com/post/16429685806</guid><pubDate>Tue, 24 Jan 2012 18:07:47 -0500</pubDate></item><item><title>My new sounds:</title><description>&lt;iframe src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F34321285&amp;liking=false&amp;sharing=false&amp;origin=tumblr" frameborder="0" allowtransparency="true" class="soundcloud_audio_player" width="500" height="116"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;My new sounds:&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/16369679047</link><guid>http://erikfriedlander.tumblr.com/post/16369679047</guid><pubDate>Mon, 23 Jan 2012 17:27:34 -0500</pubDate></item><item><title>Getting My "Motor" Back</title><description>&lt;p&gt;I&amp;#8217;ve been watching a whole lot of Battlestar Galactica and I&amp;#8217;d just like to pause and say..what a cool show! However, watching 19 episodes in 12 days does not contribute (at least doesn&amp;#8217;t directly contribute) to my getting my &lt;em&gt;motor&lt;/em&gt; back. (speaking of getting nothing done because of BG, check out Portlandia on this topic: &lt;a href="http://youtu.be/yYjLrJRuMnY" target="_blank"&gt;&lt;a href="http://youtu.be/yYjLrJRuMnY" target="_blank"&gt;http://youtu.be/yYjLrJRuMnY&lt;/a&gt;&lt;/a&gt;) &lt;/p&gt;
&lt;p&gt;If you watch a little football, which I&amp;#8217;ve also been doing thanks to the Giants (a pattern developing here?), you may hear sportscaster or analysts talking of a particular players &lt;em&gt;motor. &lt;/em&gt;It&amp;#8217;s a term used to describe will power and persistence. A player with a good &lt;em&gt;motor&lt;/em&gt; plays at a high level play after play, despite fatigue. I like this terminology, and it hit me the other day, I don&amp;#8217;t have my motor back..and then I wondered for how long has it been&amp;#8230;idling or stuck in park? &lt;/p&gt;
&lt;p&gt;It occurred to me that I have been spending my energies for weeks leading up to my wife&amp;#8217;s death, first attempting to keep the inevitable at bay while trying to maintain my wife&amp;#8217;s spirits, my own sanity and my daughter&amp;#8217;s outlook . Then I was managing the doctors, nurses, insurance, specialists, appointments as Lynn&amp;#8217;s complications grew more severe, it&amp;#8217;s a big undertaking. Then there was Lynn&amp;#8217;s dying which is all so new and difficult. So, I suppose it&amp;#8217;s no surprise I&amp;#8217;m feeling like my &lt;em&gt;motor&lt;/em&gt; isn&amp;#8217;t running yet on all cylinders. &lt;/p&gt;
&lt;p&gt;But slowly things are improving. A few days I ago I performed for the first time in 2 or 3 months and it felt good. Performing with Lucia Pulido was a blast - her singing comes from all the right places (heart and soul), and a duo we performed was moving for me.  Then Saturday night, over at the Stone for an Improv Night, I had a few more glimmers of magic when I sat down with Ikue Mori and Anthony Coleman for an improv that was exceptional. Playing with these two amazing musicians, veterans of the Downtown scene was so much fun, and I felt again why I love music and why I&amp;#8217;m so proud to be a part of the scene here in NYC.&lt;/p&gt;
&lt;p&gt;Walking home from The Stone I was buzzed, feeling connected to spirit of the city. It was cold and slush was everywhere but people were out and being a part of just another Saturday night was kindling some optimism in me - I was feeling my motor.&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/16369606502</link><guid>http://erikfriedlander.tumblr.com/post/16369606502</guid><pubDate>Mon, 23 Jan 2012 17:26:26 -0500</pubDate><category>motor</category><category>erik friedlander</category><category>cello</category><category>ikue mori</category><category>anthony coleman</category><category>the stone</category></item><item><title>Talking With My Wife</title><description>&lt;p&gt;My wife left behind piles of notes: notes to herself, written in an illegible scrawl. Lynn was a writer and these notes pertain mostly to an unfinished memoir she was working on. I didn&amp;#8217;t expect this, but looking over the notes, I find myself feeling that there is a possibility of discovery - almost like having new conversations with her.  I see my name or my daughter&amp;#8217;s name on a page, it jumps out at me, luring me in. It&amp;#8217;s like one of those Nickolas Cage movies where he&amp;#8217;s figuring out a secret code that unlocks a new meaning to the Constitution. I press on, only to find myself in a thicket of scrapes and lines, curves and dots. The hand writing is so bad that I am frustrated at every turn. &lt;/p&gt;
&lt;p&gt;I&amp;#8217;ve kept a bunch of notebooks, but have tossed a big pile. I&amp;#8217;m thinking the pull to &amp;#8216;continue&amp;#8217; our conversation might not be terribly healthy, at least in this way and over the long term. So, I&amp;#8217;ll keep a few around in case I can figure out the code to unlock her handwriting, and let my other conversations with her be in my head and heart.&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/15399123953</link><guid>http://erikfriedlander.tumblr.com/post/15399123953</guid><pubDate>Fri, 06 Jan 2012 09:52:11 -0500</pubDate></item><item><title>..looking back and looking ahead</title><description>&lt;p&gt;As many of you know I lost my wife this past November. She died after a rough year of cancer treatments due to a recurrence of breast cancer. I started my mourning the day she died by heaving a huge breath, a sigh of relief, Lynn&amp;#8217;s struggle was over. It&amp;#8217;s not easy for a 54 year old person to die no matter how sick they are &amp;#8212; dying is tough work and watching it happen can be brutal.&lt;/p&gt;
&lt;p&gt;The day after her death I completely tore a ligament in the thumb of my left hand after falling off a bicycle - so I complicated an already difficult situation! The weeks that have followed have been odd. At first Lynn was everywhere, and yet nowhere, I couldn&amp;#8217;t separate myself from her, and frankly, didn&amp;#8217;t want to. Then there was the constant sensation that she would be calling any minute to let me know where she was and when she would be home.&lt;/p&gt;
&lt;p&gt;Contrary to what seems to be conventional wisdom, I haven&amp;#8217;t found the holidays to be particularly painful. There seems to be a constant flow of activities, family gatherings, sporting events, and general &lt;em&gt;noise &lt;/em&gt;to distract my daughter and me. And, really, is everyone actually having such a great time now?! Rather, I&amp;#8217;m dreading the return of January, with the long arm of winter just beginning and &amp;#8220;normal&amp;#8221; life taking over.&lt;/p&gt;
&lt;p&gt;It hasn&amp;#8217;t helped that I haven&amp;#8217;t been able to play the cello. I&amp;#8217;m already in a strange situation and to compound that, I can&amp;#8217;t do what I usually do &amp;#8212; something that defines me, at least partially. But I&amp;#8217;m looking forward to getting out of this little hand cast I&amp;#8217;ve been locked into for the last 2-3 weeks. I&amp;#8217;m not sure what I&amp;#8217;ll be able to do right away, but I&amp;#8217;m sure I will at least get a start on the road to playing/performing again.&lt;/p&gt;
&lt;p&gt;I will be back! There are two projects coming down the pike soon. I have an LP called &amp;#8220;American Power&amp;#8221; that is a collaboration with photographer Mitch Epstein. It will be shipping in mid January. Later, I&amp;#8217;ll have an EP of remixes by Scott Solter who attacked 5 tracks from the original Broken Arm Trio CD and created a set of wild and beautiful electronic landscapes.&lt;/p&gt;
&lt;p&gt;I look forward to 2012. Even with the pain I am carrying around right now there is opportunity to create. See you in &amp;#8216;12 and Happy New Year!&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/15038853631</link><guid>http://erikfriedlander.tumblr.com/post/15038853631</guid><pubDate>Fri, 30 Dec 2011 14:37:37 -0500</pubDate><category>lynn shapiro</category><category>2012</category><category>erik friedlander</category><category>american power</category><category>scott solter</category><category>remixes</category><category>broken arm trio</category></item><item><title>Wednesday! Guy Klucevcek and The Bantam Orchestra</title><description>&lt;p&gt;WEDNESDAY, OCT. 19, 8 PM at The Stone, Ave. C/2nd Street  Guy&lt;br/&gt;
Klucevcek, accordion; Mary Rowell, violin; Erik Friedlander, cello;&lt;br/&gt;
with Pete Donovan on bass.  Included will be music from _Flying&lt;br/&gt;
Veggies, Stolen Memories_ (Tzadik), and one piece from _Citrus, My&lt;br/&gt;
Love_ (recrec/swiss).  GOINGS ON ABOUT TOWN: NIGHT LIFE  &lt;/p&gt;

&lt;p&gt;GUY KLUCEVSEK&lt;/p&gt;

&lt;p&gt;Oct. 19: The Sui-Generis Accordionist And Composer GUY KLUCEVSEK&lt;br/&gt;
reprises Several Works From The Nineties That He Recorded For The&lt;br/&gt;
Experimental Labels Tzadik And Xi. Klucevsek, A Sensitive And Tasteful&lt;br/&gt;
Virtuoso, Grew Up In The Coal Country Of Western Pennsylvania And&lt;br/&gt;
First Heard And Fell In Love With The Accordion As A Five-Year-Old,&lt;br/&gt;
When He Saw The Italian-American Dick Contino Play The Instrument On&lt;br/&gt;
Television. His Compositions Are Both Whimsical (He Will Be Performing&lt;br/&gt;
Selections From His 1991 Album, “Flying Vegetables Of The&lt;br/&gt;
Apocalypse”) And Deeply Moving, Especially In His Lyrical And&lt;br/&gt;
Hypnotic, Slow-Paced Pieces. Joining Him Here Will Be A Reformed&lt;br/&gt;
Version Of His Nineties Band, The Bantam Orchestra, Which Includes The&lt;br/&gt;
Violinist MARY ROWELL and The Stellar Downtown Cellist ERIK&lt;br/&gt;
FRIEDLANDER.&lt;/p&gt;

&lt;p&gt;   THE STONE [1] Avenue C at 2nd St. , New York, N.Y.&lt;br/&gt;
&lt;a href="http://www.thestonenyc.com" target="_blank"&gt;www.thestonenyc.com&lt;/a&gt; [2] Read more [3]&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/11572280757</link><guid>http://erikfriedlander.tumblr.com/post/11572280757</guid><pubDate>Mon, 17 Oct 2011 11:26:06 -0400</pubDate></item><item><title>Erik Friedlander's Bonebridge 9/27 8p</title><description>&lt;p&gt;Have ideas/feedback for this newsletter? Share them &amp;amp; get rewarded! &lt;a href="http://fburls.com/14-6BGVZj9f" target="_blank"&gt;http://fburls.com/14-6BGVZj9f&lt;/a&gt;&lt;/p&gt;</description><link>http://erikfriedlander.tumblr.com/post/10715976647</link><guid>http://erikfriedlander.tumblr.com/post/10715976647</guid><pubDate>Tue, 27 Sep 2011 02:32:03 -0400</pubDate></item></channel></rss>
